Volume 12 Issue 1

Editor's Introduction by Katherine Shaeffer
Monitoring the Past: DC Comics' Crisis on Infinite Earths and the Narrativization of Comic Book History by Andrew J. Friedenthal
The Military Vanguard for Desegregation: Civil Rights Era War Comics and Racial Integration by Christopher J. Hayton and David L. Albright
The Parts That Got Left Out oF the Donald Duck Book, or: How Karl Marx Prevailed Over Carl Barks by David Kunzle
Urban America in the Newspaper Comic Strips of the Nineteenth Century: Introducing the Yellow Kid by Christina Meyer
Illustration: Greetings from Florida, the Sunshine State by John Porcellino
Reading from Within the Panel by David Steiling
Review of Arguing Comics: Literary Masters on a Popular Medium by Eric L. Berlatsky
Review of The Best American Comics Criticism by Eric L. Berlatsky
Review of Laurence Grove's Comics in French: The European Bande Dessinée in Context by Alice Claire Burrows
Review of Suspended Animation: Children's Picture Books and the Fairy Tale of Modernity by Caroline Campbell
Review of Selected BD Scholarship by Anne Cirella-Urrutia
Review of The Dragon and the Dazzle by Martin de la Iglesia
Review of Drawn and Dangerous: Italian Comics of the 1970s and 1980s by
Review of Graven Images by Paul Petrovic
Review of Do the Gods Wear Capes?: Spirituality, Fantasy, and Superheroes. by Greg Steirer
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Volume 11 Issue 4

Fidelity and Period Aesthetics in Comics Adaptation by Matthew Bolton
The Violence Museum: Aesthetic Wounds from Popeye to We3 by Jonathan Gaboury
Two Texts on "Comics" from China, ca. 1932: "In Defense of 'Comic Strips'" by Lu Xun and "Comic Strip Novels" by Mao Dun by Sean Macdonald
When Photographs Aren't Quite Enough: Reflections on Photography and Cartooning in Le Photographe by Nancy Pedri
The Empirical Twilight: A Pony's Guide to Science & Anarchism by Walton Wood
Review of Charles M. Schulz's My Life With Charlie Brown by Eric L. Berlatsky
Review of History and Politics in French-Language Comics and Graphic Novels by Anne Cirella-Urrutia
Surveying the Field: Recent Scholarship on Superheroines by Megan Condis
Review of Caped Crusaders 101: Composition through Comic Books by Michael Dean
Book Art: a review of Art of McSweeney's by Zara Dinnen
Review of Theodor SEUSS Geisel by Donald E. Pease by Rebekah Fitzsimmons
Review of Drawing France: French Comics and the Republic by Andréa L. Gilroy
Review of José Alaniz' Komiks: Comic Art in Russia by Alison Mandaville
Review of Teaching Visual Literacy by Clinton L. Robison
Review of Toni Johnson-Woods' MANGA by Caleb Simmons
Review of Animators Unearthed: A Guide to the Best of Contemporary Animation by Walton Wood
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Volume 11 Issue 3

Editors' Introduction: Alan Moore and Adaptation by Rex Krueger and Katherine Shaeffer
"Her Guardiner": Alan Moore's Swamp Thing as the Green Man by Colin Beineke
The Saga of the Swamp Thing: Feminism and Race on the Comic Book Stand by Megan A.Condis
Interplay Amidst the Strangeness and the Charm: Under-language and the Attenuation of Meaning in the Film Adaptation of Watchmen by Vyshali Manivannan
The Culturally Constituted Gaze: Fetishizing the Feminine from Alan Moore and Dave Gibbons's Watchmen to Zack Snyder's Watchmen by Paul Petrovic
A Man of Steel (by any other name):
Adaptation and Continuity in Alan Moore's "Superman" by Jack Teiwes
Review of Annalisa Di Liddo's Alan Moore: Comics as Performance, Fiction as Scalpel by Eric L. Berlatsky
Review of Mechademia 4: War/Time by Ellen Grabiner
Comics OR Philosophy? A Review of Comics as Philosophy (2005) by Mervi Miettinen
Review of Art Spiegelman: Conversations by Laura Perna
Review of Of Comics and Men: A Cultural History of American Comic Books by Matthew Pustz
Review of The Anime Machine by Caleb Simmons
Review of Graphic Women: Life Narrative and Contemporary Comics by Anastasia Ulanowicz
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